Monday, February 16, 2015

Mission possible in Xitang

Taiwan has its "old towns" - usually a block or two (sometimes more) lined with buildings the facades of which date from the time when the Japanese administered the island. Saved from destruction by the tourist trade, they form simultaneously interesting and depressing glimpses into Taiwan's past and present: elegant structures whose survival now depends on selling the same snack foods and souvenir knick knacks that can be found all over Taiwan to the weekend and holiday hordes. They may have been saved from destruction, but it's hard to distinguish one "old town" from another.

In Shànghăi's 上海 case, it's the "water towns", centuries-old burgs which developed along the network of canals, lakes and rivers that populate the plains surrounding the city, that owe their survival to late 20th-century economic reforms and the early 21st-century tourist boom that has followed in their wake. Canal towns such as Zhōuzhuāng 周庄, Tónglĭ 同里 and Wūzhèn 乌镇 offer evocative glimpses of a China gone by, but at the same time it's hard to distinguish one from the other, each one offering similar foods, gift items, restaurants and even bars and dance clubs. Survival comes with a price, and Xītáng 西塘, only an hour's drive from Shanghai and where we spent last night, was no exception.

The Lunar New Year may be almost upon us, but the reason we had time to visit a canal town this weekend was due to Presidents Day, which this year happens to fall three days before the start of the Year of the Sheep. We'll be spending the Lunar New Year break in Kagoshima 鹿児島 in Japan, but for the time being please enjoy a few photos from our overnight visit to Xitang:



We stayed Sunday night at the Time Walk Theme Inn, one of many homes converted into Chinese-style B&B's (only minus the breakfast, at least in our case). Ours was situated along a quiet (though filthy) canal and had a loft that my daughter quickly declared to be hers for the night. 




The weather had been rainy starting in the morning and throughout the drive from Shanghai, but by the time we arrived at Xitang, the skies had cleared and there were some nice views of the waterways. I was surprised by the lack of traffic on the expressways, as well as by the relatively few numbers of visitors in the town yesterday.



When in Xitang, do as the...For Amber, that meant frozen yogurt; for my wife, stinky tofu. 



Boats were on hand to take visitors up and down the canals. They weren't very busy in the daytime, but the situation changed once night fell.


I've seen Mission: Impossible III, but I don't remember the scenes filmed in Xitang. There were billboards, however, to help me jog my memory.


When the rain started coming down again, I was grateful the town's residents had the foresight to build roofs over many of the walkways. One section, in particular, was covered for about a kilometer.


While many of the same snack foods could be found all over Xitang, I only saw one establishment catering to those visitors hankering for a scorpion or a centipede.


Little did I know Xitang is also a fashion mecca. My wife had to have this outfit.


For some reason, all the locally-brewed beer I've had so far in China has been extremely weak, the opposite of what you find in the United States. Xitang Beer weighed in at a puny 2.8% alcohol content.


They may be tourist traps at times, but the canal towns do look lovely at night. In Xitang the thing to do is to launch a paper holder shaped to look like a lotus leaf, and with a burning candle in the center, into one of the canals. We were going to to the same until the rain started coming down hard.



Xitang, unfortunately, had a bar street that was unsurprisingly garish and noisy. Dance clubs alternated with bars where the entertainment at the latter seemed exclusively the realm of Chinese guitar-pickin' singer-songwriters, baring their souls at full amplification. 

The three of us went for a boat ride after dinner. It was hard to take photographs due to our position in the middle of the craft, but the lights along the canals were pretty nice. 


I'm not sure why I woke up at 6:20 this morning. It was either the alarm on my wife's smartphone that she forgot to turn off before going to bed last night, or the fireworks going off at that early hour of the morning (and continuing until lunchtime), or a combination of both. Across the canal from our room was a temple.


The canals were quiet in the early morning hours. Surprisingly, however, Xitang would soon get busier on this Monday than it was yesterday. Some people, apparently, were getting a head start on their Lunar New Year holiday.

It took some walking around, but we eventually found a place to have breakfast. My daughter enjoyed some dòhuā 豆花, while I had some steamed dumplings 小笼包, accompanied by a bowl of warm soya milk. 


The sky was an ugly gray which later revealed itself to be heavy smog as we drove back to Shanghai.




Xitang does not have any "must see" sights, but there are some attractions that are included in the 100 RMB ($16) admission ticket to the canal town (our tickets were only half that, and Amber was admitted free of charge, due to the fact that we stayed overnight in the town). My daughter and I checked out an old mansion while Pamela took in a traditional Chinese garden.


A purchase for the home: it's the character fú 福, meaning "good fortune", "happiness" or "luck". The characters in the red area of the wall hanging are stylized renderings of that one character. 



Some final views of the canal and the town before the short drive back to Shanghai. The expressways were again relatively empty, a great relief considering the nightmarish traffic jams that can happen in China (and Taiwan) during the Lunar New Year holiday period.


No visit to a canal town is complete without purchasing some locally-made alcohol. No doubt because I was the designated driver, my wife sampled just about every variety there was at the shop before deciding on a couple of bottles.























Sunday, February 1, 2015

Bang a Gong (Get it on)

Having made it through the post-funeral, post-food poisoning blues, the family unit ventured outside yesterday on a chilly Saturday afternoon to Shànghăi's 上海 post-industrial waterfront area to have a gander at one of the city's up-and-coming art museums, the Power Station of Art. The suggestion to do so came from my now-nine year old daughter, who read about the gallery in an article in Connections, the in-flight magazine of China Eastern Airlines, while we were returning home from a weekend visit to Xiàmén 厦门 earlier this month (see here and here). Impressed with the photograph of the chimney-turned-thermometer, she expressed a desire to go, and once we got there yesterday, she led the way, guiding us from floor to floor, and room to room. Afterward, she declared the museum to be "fun", although she found some of the video installations to be disturbing. My wife, on the other hand, complained that the experience had cost her several hours of her life that she would never get back (from a woman who thinks the Mona Lisa is overrated).

And what was my take on the Power Station of Art, you're probably not wondering? Like most modern art museums, the exhibits were largely hit or miss. Some were interesting, a few even thought provoking; many others crossed the line into pretension, trying to hard to say something, anything. The biggest peeve I had wasn't with the installations themselves, but with the way the curators took it upon themselves to tell the viewers the meanings behind what they were looking at, instead of letting us interpret in our own ways what it was we were experiencing. Art, contemporary or otherwise, doesn't work well when someone is taking you by the hand and leading you around. 


The Power Station of Art is housed in a converted power plant. The building is apparently over 110 years old.


One of the exhibits that leased impressed Pamela. My wife said she could throw an egg against a wall, let the mess dry and then market it as "art". I wish she would - the additional income from her new-found fame could someday help pay for Amber's college tuition.



One of the more interesting exhibits was that by a Taiwanese artist whose name I unfortunately neglected to note down (let alone remember). His or her subjects included the Losheng Sanitorium 樂生療養院 issue and a photographic series on displaced factory workers struggling to get by in the Bādé District 八德區 of Táoyuàn City 桃園市 in Taiwan.



The sound installation work 1999 by Lu Ding. Amber preferred the phones that played music rather than the ones that had recordings of voices speaking.


I liked this drawing not only for its technical skill, but because I was one of the few visitors at the museum that probably understood all the cultural references it contained.

My daughter points out the ghostly faces superimposed over the images


After careful examination, Amber concluded that the black disks in the pictures on the far right above were not, in fact, UFO's, but instead must be black holes.


The video installation Black Face, White Face combined visuals of coal and limestone miners with images of their workplaces. The more observant of you may have already noticed the nude curled up in the fetal position in the bottom-left corner of the screen.


Puppet by Peter Friedl. Unless we're talking about the old Thunderbirds TV series, I consider marionettes to be right up there with clowns when it comes to creepiness. F.A.B. not!

News Blues, in which live actors performed what sounded like Gregorian chants in Mandarin while reading newspapers. Ever the art critic, Pamela just smirked...


Passion fruit trees withering on the vine due to the lack of sunlight, suffering in the name of art.


Being a former power plant, the Power Station of Art has plenty of open space, with a maximum unblocked height of 45 meters (148 feet).


The view from one of the upper floor windows


One of the most interesting exhibits for me was the video installation of residents of Kesennuma 気仙沼, Miyagi Prefecture 宮城県, Japan talking about the effect the March 11, 2011 Tōhoku earthquake and tsunami 東北地方太平洋沖地震 has had on their lives.


Another installation that I enjoyed contained aural and visual images captured from one of Shanghai's older neighborhoods.


The sixth-floor roof had an outdoor terrace that we ventured onto despite the cold. The view overlooking the Huángpŭ River 黄浦江 was almost worth the price of admission. 


The building across the river from the museum was itself a work of art


These futuristic buildings are vestiges of Expo 2010, which was held in Shanghai. Fading posters of the event can still be found scattered around the city.



The 165 meter-high (541 feet) chimney that towers over the complex now acts as a thermometer. It was reading 3° Celsius (37° Fahrenheit) at the time were outside. There's a pricey restaurant on the top floor of the Power Station of Art, with a thuggish-looking security guard stationed on the floor below checking everyone's tickets to make sure nobody dared attempt to enter the museum from the even-more pretentious "fusion" dining establishment.


"Provid(ing) the public with a platform for exhibition and study of contemporary art; remov(ing) the barriers between art and life; promot(ing) cooperation between different kinds of art and culture and creation of knowledge." 

Now if they could only do something about the fascist on the 6th floor. Unless his presence was also one of the museum's installations...